Fabric wall with exhibition panels
EXHIBITION · TORONTO 2026 · PRINTED PANELS + VIDEO

VIEW FROM SOMEWHERE

A physical and multimedia exhibition examining how journalism organizations market themselves — and what those messages reveal about the profession's place in public life.

420 × 594 MM · BLACK INK PRINTED PANELS + VIDEO INMA TORONTO 2026

This exhibition examines how journalism organizations market themselves — not to analyze advertising creativity, but to understand how the profession explains its social function under shifting economic and technological conditions.

Across print, broadcast, cable, digital, and subscription-era campaigns, news organizations have used slogans, brand promises, and promotional language to define what journalism is supposed to do. These messages are not neutral. They respond to external pressures — competition, platform disruption, polarization, distrust, collapsing business models, and now generative AI.

The exhibition treats self-promotional campaigns as primary source material. Slogans are compressed statements of institutional identity. Seen together across decades and markets, they map a profession continually redefining its value proposition in response to crisis.

This exhibition does not prescribe solutions. It documents patterns. It asks: What has journalism promised? Why did those promises change? And what will the profession need to promise next?

THE ARCHIVE
OVER 4000
CAMPAIGNS DOCUMENTED
6
ERAS OF JOURNALISM HISTORY
1897
TO 2026
FROM THE EXHIBITION

Clean prints. Each panel is 420 × 594 mm, black ink on white paper.

INTRODUCTION · ESSAY
INTRODUCTION · ESSAY
HOW JOURNALISM LEARNED TO ADVERTISE ITSELF
HOW JOURNALISM LEARNED TO ADVERTISE ITSELF
PUBLIC SERVICE VS COMMERCIAL RHETORIC
PUBLIC SERVICE VS COMMERCIAL RHETORIC
TRUST LABELS · AI ERA
TRUST LABELS · AI ERA
UNSUBSCRIBE · PHILADELPHIA INQUIRER · INMA GOLD 2024
UNSUBSCRIBE · PHILADELPHIA INQUIRER · INMA GOLD 2024
GAMECHANGER · MTV · 1981
GAMECHANGER · MTV · 1981
THE INTELLECTUAL CLUB · THE ECONOMIST
THE INTELLECTUAL CLUB · THE ECONOMIST
COUNTERSTRIKE FREE PRESS · RSF UNCENSORED LIBRARY
COUNTERSTRIKE FREE PRESS · RSF UNCENSORED LIBRARY
ABOUT THE AUTHOR
ABOUT THE AUTHOR
TORONTO · 2026

Printed panels. Hanging fabric. Floor spotlights. The exhibition premiered at the INMA World Media Congress in Toronto.

FABRIC WALL · OPENING PANELS
FABRIC WALL · OPENING PANELS
FLOOR INSTALLATION · PAPERS
FLOOR INSTALLATION · PAPERS
THE BROADCAST BOOM · ERA PANEL
THE BROADCAST BOOM · ERA PANEL
CAPTURING MASSES · GAMECHANGER · I WANT MY MTV
CAPTURING MASSES · GAMECHANGER · I WANT MY MTV
MTV SLOGANS · DETAIL
MTV SLOGANS · DETAIL
QUESTION EVERYTHING · THE ATLANTIC
QUESTION EVERYTHING · THE ATLANTIC
CAMPAIGN FILMS

The exhibition documents campaigns that existed as video — television ads, short films, documentary spots. Some venues screen these films alongside the printed panels. Four from the archive:

THE GUARDIAN
Points of View
1986 · MULTIPLE PERSPECTIVES
CNN
Facts First
2017 · CINEMATIC TRUTH
THE NEW YORK TIMES
The Truth Is Worth It
2019 · CINEMATIC TRUTH
THE GUARDIAN
Hope Is Power
2020 · PUBLIC SERVICE RHETORIC
Over 4000 campaigns in the full archive. Available as video programme on request.
PHYSICAL EXHIBITION
FORMAT
Printed panels, black ink on white paper
SIZE
420 × 594 mm (A2)
PREMIERE
INMA World Media Congress, Toronto, 2026
PANELS
20+ pages
INSTALLATION
Hanging fabric + floor spotlights
VIDEO
Campaign film archive, screenable on request
LANGUAGES
English
NEXT
Interactive version in development → /art/view-from-somewhere-c
Stack of exhibition title pages
HOST THIS EXHIBITION

INTERESTED IN BRINGING IT TO YOUR SPACE?

The exhibition is available for galleries, media conferences, newsrooms, and university programs. It travels as printed panels — minimal infrastructure required. Video programme available on request.

→ jakub.gornicki@gmail.com
← Back to art→ The research→ Interactive version (coming soon) → /art/view-from-somewhere-c