ART · WARSZAWA · 2025
THE WALL
IS A
NEWSPAPER.
A living front page on the exterior of Outriders Klub — a newspaper structure given to artists to fill, a gallery whose content changes as the world does.
THE CONCEPT
WHAT IF A BUILDING COULD PUBLISH?
Every newspaper has two things: a structure that stays — the masthead, the columns, the grammar of the page — and content that changes daily. We asked: what if a building worked the same way?
The facade of Outriders Klub became the fixed structure. Newspaper typography — headlines, body columns, quotation marks, section headers — painted at architectural scale across the entire exterior wall. Within that skeleton: voids. Framed panels where artists would place their response to the world.
The curtains are the editorial mechanism. When the shutters close, you see the mural — the world, commented on. When they open, the gallery inside fills the space — the life of the Klub, visible from the street. Between those two states, the work lives.
This is not a mural that was completed. It is an ongoing publication.
THE MAKING
BLANK WALL · AUG 2025
DAY 1 · SCAFFOLDING
COMPLETE · DAYLIGHT
OPENING NIGHT
TIMELAPSE · 1 MONTH · COMPRESSED
ARTISTS · EDITION I
PANEL I · FREE COURTS
LUX PRZEZ IKS
ASP Warsaw and Łódź graduate. Work shown at the Museum of Modern Art Warsaw (Miasto w Budowie exhibition) and the Banksy Museum in Barcelona. Featured in Art Vibe magazine and Abstract Graffiti Magazine (Sweden). Illustrator for Wizje magazine and multiple music releases.
His commentary for this edition: the independence of the courts. A subject that has defined Polish public life for nearly a decade, rendered in paint on the side of a building in Stara Ochota.
PANEL II · PALESTINE
NIEBIESKI ROBI KRESKI
Creator of the iconic Varjacik. Work exhibited at Zachęta National Gallery and at Urban Art Area and SBM Festival in London, Warsaw, and Luxembourg. Collaborations with Converse, Discovery Channel, Canal+, Puma, Beats Electronics by Dre, and SP Records.
His panel responds to the ongoing situation in Palestine — a mural-scale statement on a wall that was already making statements.
MAKING OF
WE WANTED TO BUILD A PLACE THAT SPEAKS IN IMAGES AS POWERFULLY AS REPORTAGE SPEAKS IN WORDS.
— JAKUB GÓRNICKI, OUTRIDERS FOUNDER
GRAFFITI PARTY · 10.09.2025
The wall was opened to the public on September 10. Guests left their marks alongside work by two of Poland's most recognised street artists. Anyone could add to it. That porousness — between institution and street, between the reported and the reported-upon — is the point.
REELS